Tag: Opera

Jake Heggie Talks Moby-Dick with Ian Campbell

Last week, a sold-out crowd gathered at La Jolla’s Neurosciences Institute for an engaging conversation about inspiration, creation and modern opera between San Diego Opera’s Ian Campbell and Jake Heggie, composer of the acclaimed 2010 opera “Moby-Dick,” which opens at San Diego’s Civic Theater onFebruary 18. Before a delighted audience, Heggie shared what went into the composition of this stunning theatrical showpiece, including his artistic process, unique musical language, experiences with collaborators involved in the project, and the state of contemporary opera and new music in America.

If you weren’t able to get a seat for this special event, don’t despair. UCSD-TV’s cameras were there. We’re airing the special all month and have also made it available for viewing online at your leisure. Everything you need to know is at the link. Enjoy!

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Everything Old Becomes New Again

A new year affords the opportunity to reflect on what’s gone before while looking ahead to new possibilities. In this spirit, I can think of no better way to kick off 2011 than by presenting new musical contributions from old and valued friends.

La Jolla Music Society SummerFest – During the 18 years (!) of our association, SummerFest has moved from strength to strength, and the three 2010 concerts which premiere this month on UCSD-TV reflect the range, depth and joyous musicality which have always characterized this chamber music festival.

San Diego Opera – Since the premiere of San Diego Opera Spotlight in January 1997, our collaboration with the Opera has grown to include two additional series, San Diego OperaTalk and, most recently, San Diego Opera Stars in the Salon (formerly Artists’ Roundtable). To my knowledge this partnership is unique in the opera world, as the three series combine to produce a long-term, comprehensive portrait of the history and evolution of a vital art form. The new season of opera programming premieres this month with a behind-the-scenes peek at Puccini’s Turandot and continues its run through the end of May.

La Jolla Symphony & Chorus – This community-based ensemble has performed challenging music on the UCSD campus for over 50 years. UCSD-TV’s association with the Symphony (and mine) began in 1993, and it remains a touchstone in my professional life. The Symphony combines respect for tradition with an adventurous spirit, presenting established repertoire alongside challenging new or undeservedly obscure works. Their 2010 concert, Color, premiering in February, is an excellent example of what the Symphony does best.  The program spans the 20th century, from Mahler to Bernstein, and includes a dynamic performance of Alexandre Scriabin’s pioneering multimedia composition, Prometheus, the Poem of Fire.

Rebecca Lytle Memorial Concerts – UCSD-TV has presented Professor Emeritus and pianist Cecil Lytle in annual concerts since 1998. Through the years Cecil has displayed his virtuosity in a wide range of formats and styles, including classical, ragtime, jazz, blues, popular standards and, yes, tango. This year’s concert is a multimedia exploration of the life, influences and legacy of Hungarian master Franz Liszt. The Naked Liszt premieres on UCSD-TV in March.

Berthold Auerbach wrote, “Music washes away from the soul the dust of everyday life.” I like to think that UCSD-TV is doing its part to make the world a cleaner place.

A Devious Parable


Among the diverse projects that I undertake as Arts & Humanities producer, the type that excites me most is the opportunity to chronicle the creation of a new work. It allows me to shed some light on that ever-elusive “creative process” while interacting closely with a group of smart, talented, disciplined people who are pursuing a common goal. I can’t think of a more pleasurable way to spend my time professionally.

Such was the case with Lilith, the new chamber opera with libretto by Allan Havis and music by Anthony Davis, based on Havis’ play of the same name. Lilith places Adam’s legendary first wife at the center of a devious parable about marriage and sexual politics. The story takes place in parallel in both Biblical and modern times and concerns both ancient figures (Adam, Lilith, Eve) and their contemporary counterparts (Arnold, Claire, Eppy), though the distinctions between the two settings and groups of characters are deliberately ambiguous.

I had collaborated with both artists previously, documenting the creation of Anthony’s opera about Patty Hearst in Concerning Tania (2001) and recording interviews and a performance of Allan’s play about the civil rights movement, The Haunting of Jim Crow (2005), and I’m a confirmed admirer of their work. Allan tackles provocative subjects in a manner that has echoes of both Brecht and Pinter, but in a distinctive voice that is his alone. Anthony is one of a handful of composers who are forging a new idiom for opera, blending the traditional with elements of jazz, Afro-Cuban rhythms and rap into a style that is eclectic but never disjointed. (One could say he’s dragging opera kicking and screaming into the 21st century, but I’ll refrain.) Needless to say, when they approached me about documenting Lilith, I leapt at the chance.

My colleagues and I spent an intensive three weeks recording various rehearsals and interviews with key participants, culminating in the world premiere performances on December 2 and 4 at the Conrad Prebys Concert Hall on the UCSD Campus. The result is two programs: Lilith: The Opera, a recording of the December 4 concert, and Making Lilith, a behind-the-scenes documentary about the project’s genesis and evolution (and a bit of background about the mythical Lilith, as well). Both programs are available for viewing via UCSD-TV’s Video On Demand library, along with Talking Lilith, a Web-exclusive extended interview with Anthony Davis and Allan Havis.

If you’re a fan of intelligent, provocative, innovative entertainment, introduce yourself to Lilith.

UCSD-TV Goes to the Opera

Cameras are rolling on the new seasons of San Diego OperaTalk! and San Diego Opera Spotlight. Stay tuned in the coming months for an interesting and informative look at some of your favorite works.

A Look at Lilith

Join UCSD-TV as we go behind the scenes of the world premiere of “Lilith.” Hear from playwright Allan Havis and composer Anthony Davis about how this new adaptation made its way from the page to the stage. Look for Making “Lilith” early this Spring.